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Writing

Portfolio

 

 

I have been writing ever since I can remember. I have a countless number of notebooks full ideas, scribbles, and whatever else happens to come to mind. I am versed in both academic and creative writing. 

Poetry

 

Here are some samples of my work.

He looks over 
with a penitent smile
as he pulls out a 
little blue and white box
and apologizes for smoking.
But his cigarettes smell like home.
Reminiscent of dry throats
and raspy breaths
in the apex of autumn,
or of days long past
where I could watch
the smooth acid drift up and
away from my father's whiskers,
dancing towards the stars.

Impressions Through a Filter

Free-Writes 

Untitled

Mother dear, you always taught me to be good, to choose carefully, that I walked a straight and narrow line of safety and that the world down below would ruin me. You taught me to turn away and watch my tongue, for fear of being misheard. So I saw and spoke everything. You meant well but I will not be made blind. Father dear, I understand now why everything hurts so much. When you take in the whole world at once, every color is too bright and every sound is too loud. Infinity is as painful as it is beautiful. But that does not excuse the selfish tears you drowned me in.

 

At home I sleep upon my memories. They rise from the mismatched shoe boxes of mementos and weave their way into my mattress, my pillow, and eventually my mind. I dream of those I’ve met in passing, and never those that live in my heart. Once I dreamed I owned six small owlets, and my heart sank when I awoke. In the morning light I wish to close my eyes and return to the misty wood.

 

I once closed my eyes and found myself sitting in a cable car with two heavy suitcases. When it stalled I took my bag and walked above the earth. I stumbled until I dropped my luggage and then I plummeted into the white blanket of flowers. The garden wall keeps on crumbling. The autumnsong keeps playing.

 

I opened my window and waved to an empty street. Hello, how are you? When not even silence answered I turned away. There is peace in being alone, but not in loneliness. My friends are scattered across the dirty streets of the earth, and my heart’s former tenants have faded to scars. The nature of our relationship turned into that of a stellar collapse- awesome in its burning glory. I am not alone, but in the quiet moments I wonder.

 

In my mind I wish to walk upon the salt flats, to see nothing for miles but sky above, and sky below. Does the moon know that it’s beautiful when it looks at its fragmented reflection? Do stars miss home when they fall? I lay in the dark water and stare. The stars bleed into the earth and I am made whole again.

 

(Working off of  the opening line of “Stopping

by Woods on a Snowy Evening” by Robert Frost.)

 

Whose woods these are I think I know.

He lingers in the shadows though,

just beyond the lantern’s glow

and in the hearts so filled with woe.

 

Oh Lover, oh Pilgrim, best beware!

lend an ear and lend a prayer.

Where your faith shall be stripped bare,

they say the beast, the beast lives there.

 

The snow shall fall now, as you sleep

and the leaves and vines, yes they shall creep

and the forest, it grows dark and deep

should your will you not keep

 

 

 

Heed Not the Beast

I remember the buzzing of insects skirting under the hush-hush of the still night air. The grass was prickly but the blanket we lay upon was soft, as soft as the velvety sky looked like it should have been. A large, calloused hand enveloped mine and raised it upwards, pointing it towards a particular cluster of stars. Orion, as I recall. His favorite among the constellations. I remember turning to look at him, his face showered in starlight, and the subsequent feeling of my heart becoming too large for my chest. In that moment the stars seemed close enough to touch, and I felt as though we alone possessed them. I remember another boy who claimed the sky was ours, who called me his star, only to crush whatever brightness I possessed between his delicate fingers. I remember trying to remember him, his mannerisms and his voice, and failing. All I can recall of him now is the cool look in his eyes and the sad twitch of his mouth at the corners, in a way that barely qualified as a smile, when he told me he changed his mind about everything, especially the two of us and our stars. I remember the day his touch no longer felt loving, but toxic, carrying with it the deepest shame of which I could never rid myself. The very thought of it caused me to flinch and cast my eyes towards the soil. I remember the day that love once again stopped hurting, that same day when a gentle young man held my hand and told me the story of Orion. As I rolled over and took him in, I realized it was no longer painful to sit still and listen, no longer painful to gaze skywards and fill my eyes with stars.

For Cathy

I lay beside my beloved, 

gazing upwards

at the stars, hand-in-hand,

fingers locked,

unmoving, unspeaking.

Too long, it has been

since I have been able 

to touch her skin

and behold her countenance. 

She is whiter than I recall-

paler and colder, like 

marble, perhaps

Even more so where her 

flesh is now lost and her 

eyes remain sunken.

She will not speak,

she has not for years

But she can not deny me.

And we shall stay 

forever, watching the stars.

Stargazing

Academic Writing 

The Reluctant Muse: A Feminist Critique

“THE Young Housewife” exemplifies the unassuming but meaningful nature of William Carlos Williams’ writing, which often focuses on the everyday. In reframing its main object, the housewife, the poem subtly points out the uneven balance of power between the masculine and the feminine, as well as female vulnerability to masculine power. When we are first introduced to her, the housewife is described as being behind “the wooden walls of her husband’s house.” The dwelling, significantly, is neither mentioned as hers nor is it called a home. This phrasing alludes to her discontentment, as well as to her husband’s possessive nature. Williams describes the woman moving around behind her husband’s walls, thereby signifying his power as the owner of the house, and his wife’s mere, but immobile, presence in it. Moreover, the mobile narrator is not limited to this location, giving him power over the housewife as well.

        Perhaps it is his wife’s awareness of her own immobility, then, that makes her explore the danger that is normally associated with female curiosity. In her introduction to Visual and Other Pleasures, Laura Mulvey discusses the active narrative of female curiosity, using examples such as Eve and Pandora to show its apparent perils. Mulvey problematizes the misogynist notion of curiosity, which consistently labels only feminine curiosity as ill-advised. When the housewife does test her boundaries and venture onto the curb “to call to the ice-man, the fish-man…”, she becomes susceptible to a somewhat different type of masculine control—the gaze of the narrator. The narrator is free to comment on the...

 

Here I have a sample of the academic writing I have done- this being an analysis of the poem "The Young Housewife" by William Carlos Williams.

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